The office holiday party
Tejas Singh
Quartet. Fronted by Tejas Singh.
Two hundred staff, a hotel ballroom, a short program in front of the dancing. The band plays dinner at conversation volume and gets loud on cue.
- Configuration
- Quartet, 4 players
BOOK LIVE MUSIC IN COLORADO
Corporate & Galas
. . .The one where everyone flooded the dance floor. Where people who had planned to leave after dinner were still there at the end, and half the office was still talking about it in February. That party is a bookable thing, and mostly it comes down to who is playing and whether the night was built around your program or dropped on top of it.
Signet Artists is a Denver corporate entertainment company: bands, small ensembles, a DJ and a live band karaoke act, all on one contract. Office holiday parties, galas and award nights, client dinners, mountain retreats and the after-party each have a page below, and the program section explains how the music works around remarks, an auction and a video. Our musicians have done this for Amazon, NBCUniversal, Charles Schwab and the Denver Art Museum.
Trusted and booked by
“[they] naturally read the vibe and flow of the crowd, adjusting intensity and volume of the performance accordingly. He checked in during the event to ensure he was delivering what was asked for, but there was no direction needed.”
details and costs
Sound support and a point of contact for the night are spec'd in every booking.
The office holiday party
Quartet. Fronted by Tejas Singh.
Two hundred staff, a hotel ballroom, a short program in front of the dancing. The band plays dinner at conversation volume and gets loud on cue.
The client dinner
Duo. Upright bass and guitar.
Twenty at one table or eighty at ten. The conversation is the event, so the music sits under it for the whole night and nobody has to raise their voice to be heard across the table.
The member or association event
Trio. Fronted by Gary Meyers.
An event that has remarks in it and wants one thing guests describe afterwards. A set piece rather than a background, placed where the program leaves space for it.
“Their music created the perfect atmosphere, elegant, sophisticated and beautifully understated, while still adding something truly special to the evening. They were professional, polished and elevated the entire event.”
What live music costs in this market is set out on the pricing page. Travel outside the metro, holiday weekends and New Year’s Eve are quoted as their own lines on the contract rather than folded into a total.
The occasions
The configurations above show what a corporate booking looks like. Each occasion also carries a full page of its own: the dates, the venues that market books, the way the music works around the program, and the questions that come with it.
What each size costs in this market is in the cost guide, and ideas for the whole evening are in corporate event entertainment ideas in Denver.
See it
Tejas Singh in a live session. The quartet version of this is the office holiday party configuration above, and the duo version is the client dinner.
Every great corporate evening runs on great programming. You've got remarks from leadership, maybe an an award or auction, a window of time where people need to hear each other talk. Dinner and networking are served with live music at conversation volume, and the night can get loud later, when loud is exactly the point.
The music stops while your CEO is still three steps from the microphone. Transitions are planned with the run of show.
We work awards dinners, auctions, remarks and a video the same way: music up to the moment, silence through it, music again when the applause starts. If the program wants a louder set, live band karaoke is its own act: the band plays the hits on its own and hands the mic to whoever wants a song.
Galas and fundraisers book this way too, at the same sizes. A reception set through arrival, dinner music around the program, and the auction, the paddle raise and the thank-yous treated as cues the band works around. What a gala needs from the music is precision against its program, and the galas and award nights page covers every cue.
The full list of what every booking includes is on the pricing page.
Mountain venues run on their own rules. Decibel limits and curfews are honoured as written, and where there is a cap we want the number at contract: a band that knows the ceiling in advance builds a different night under it, choosing arrangements and instrumentation to land inside the limit instead of just turning down.
Load-in is coordinated with the venue before the day. Dock times, elevator windows, dedicated circuits, where the cases sit during dinner. All of it is written down by band size, so you can hand the venue a link rather than relay questions between us.
Travel is its own line on the quote, at the rates on the pricing page. The caps, the curfews, the altitude and what Colorado’s statewide noise law does to a town sound permit are all set out on the mountain corridor page, cited and dated.
The full set, from substitutions to decibel caps, is on the planners question list.
Live music for your event, from a solo musician to a full band, with sound support that’s the right size for the venue and a personal contact for the night.
Send us the date and the venue, and we’ll come back with a recommendation and a price for your night. What live music costs in this market is on the pricing page.