Singer-songwriter covers
Tejas Singh
A named act. Covers, duo to quartet.
Starts as a duo and finishes as a quartet, with the same voice out front, on one contract. Guests hear one band getting bigger through the night, and the quartet is the dance floor size.
Hear him first: tejassinghmusic.com and Spotify.
Trusted and booked by
One act, three sizes. It’s the one booking on the roster that grows during the night instead of handing off to another act.
A night that wants dinner music and a dance floor often books two different acts, which means two load-ins, two sound checks and a seam in the middle that guests can hear. This booking grows instead: a duo through arrival and dinner, then the rhythm section arrives and the same voice fronts the dance floor. The party sees one band getting bigger.
At quartet size it’s a dance band: the full rhythm section behind one voice, keys or a second guitar on top, playing a covers set built for a floor. It’s the size to book when filling the floor is the goal.
It’s a premium cover band, and it isn’t a show band with costume changes, choreography or a host segment. The band plays, reads the floor and plays the next song.
This is a named act, booked under the name of the person who fronts it, and if anyone in the lineup changes, we tell you in advance.
Configurations
| Size | Where it lands |
|---|---|
| DuoA singer-guitarist, plus bass | Arrival, cocktails and dinner. |
| TrioVoice and guitar, bass, drums | Small venues, and parties that want a floor without a full band. |
| QuartetThe trio plus keys or a second guitar | The dance floor booking. Weddings and corporate parties. |
The configuration and the date set the number: an hour under cocktails and a full evening in the resort corridor are different jobs. Send us the date and we price that night.
Occasions
Common occasions for Tejas Singh.
Each of these occasions asks for a different size of the same act, and each one has a full page of its own.
- Office holiday parties
- The quartet is the dance floor size for a holiday party. It plays dinner at 65 to 72 dBA at the nearest table, then opens the floor at 88 to 95 once the program ends. The season’s dates are on the holiday party page, and Denver carries the downtown season in detail.
- Client evenings and corporate dinners
- At duo size the same songs sit under the conversation, which is what a client dinner or a member evening asks for. An hour on its own is a real booking, and the corporate page covers the corporate details.
- Milestones and private parties
- A milestone birthday or an anniversary usually wants both halves of the night: dinner guests can talk through, then a floor. One booking covers both without a second act, and the trio is the size for a party that wants a floor without a full band.
- Wedding cocktail hours
- The duo is a great pick when you want a voice in the hour. It covers arrival and cocktails at conversation volume, and if the reception wants a dance floor later, the same act grows into it.
How the music sits around speeches and a program is planned with the run of show. What live music costs across Colorado, size by size, is set out in the cost guide.
A sample of the set
Pulled from the full song list on the repertoire page. A set is built around the flow of your evening, and this is a sample rather than the whole list.
Arrival and dinner
- Blackbird The Beatles
- Yesterday The Beatles
- While My Guitar Gently Weeps The Beatles
- Eleanor Rigby The Beatles
- Rocky Raccoon The Beatles
- The Times They Are A-Changin' Bob Dylan
The lift
- Come Together The Beatles
- A Hard Day's Night The Beatles
- No Woman, No Cry Bob Marley
- Have You Ever Seen the Rain Creedence Clearwater Revival
- Bad Moon Rising Creedence Clearwater Revival
- Take It Easy Eagles
The floor
- Sweet Home Alabama Lynyrd Skynyrd
- Brown Eyed Girl Van Morrison
- Summer of '69 Bryan Adams
- You Can Call Me Al Paul Simon
- Your Love The Outfield
- Valerie Amy Winehouse / Mark Ronson
A sample. The whole song list is on the repertoire page.
The footage
Two more cuts, from his own channels.
A live looping cover, and an original from a session tape, so you can hear more of him before you book.
Booking questions
The operational detail, footprints to power, is on the technical page.
- How does the duo to quartet ladder work on one contract?
- One act books at every size the night needs: a duo through arrival, cocktails and dinner, then the rhythm section arrives and the same voice fronts the dance floor. One contract, one load-in, one sound check, and no seam in the middle of the night for guests to hear.
- What does the quartet add?
- The dance floor. At quartet the same voice fronts guitar, bass, drums and keys or a second guitar, playing a covers set built for a floor. Dinner holds at 65 to 72 dBA at the nearest table, the floor runs 88 to 95, and the quartet moves between the two on cue.
- What does Tejas Singh play?
- Covers, fronted by one voice. The style is singer-songwriter covers, and the set pulls from the song list on the repertoire page. A set is built around the flow of your evening, and the first learned song you choose is included in every booking.
- Does the duo work for a wedding cocktail hour?
- Yes. The duo covers arrival, cocktails and dinner at a volume guests can talk across, and it's a great pick when you want a voice out front. A single hour is a real booking, and the same act can grow to the quartet later on the same contract.
Tell us about your event and we'll bring Tejas Singh to it.
Live music for your event, from a solo musician to a full band, with sound support that’s the right size for the venue and a personal contact for the night.
Send us the date and the venue, and we’ll come back with a recommendation and a price for your night. What live music costs in this market is on the pricing page.