Run of show

Three run of show templates, already timed.

Most run-of-show documents carry the band as one row that says band plays, and the detail gets filled in during the week of the event, by email, at speed. Here's that detail already worked out for the three kinds of night we see most. Take them, change the times, delete what doesn't apply.

How to read these

The cue column is the one worth settling before the day. Every moment in an evening belongs to somebody, and what usually goes wrong is two people each assuming the other was going to nod at the band, or nobody knowing who decides the speeches are running long.

Agree the cue column at sound check with the person holding the master document. Our bandleader takes their cues from that one person.

A corporate gala

Four hundred guests, a quartet with a DJ, an 11:30pm curfew. This is the way most awards dinners and fundraisers run.

TimeWhat happensThe bandWho cues it
3:30pmLoad-in and setupVehicles at the dockVenue
5:00pmSound check completeCue column agreed with youBandleader
6:00pmDoors, cocktailsTrio, 68 dBAVenue opens
7:00pmCall to dinnerPlays guests in, then downYou
7:15pmDinner serviceTrio, 68 dBAStanding
8:00pmRemarks from leadershipSilent. Announcement mic liveYou, two minutes out
8:20pmAwardsSilent. Walk-on stings if wantedYou
8:40pmVideo packagePA handed to AVAV lead
8:50pmAuctionSilentAuctioneer
9:15pmChangeoverDJ covers the gapBandleader
9:30pmDancing, first setQuartet, 90 dBAYou
10:30pmBreakDJ, continuousStanding
10:45pmDancing, second setQuartet, peakBandleader
11:30pmLast song, curfewShaped to finish, not cutBandleader

Two of those rows are worth a second look. The 7:00pm call to dinner is the surest way to move four hundred people from a bar into a seated dinner, and the band plays them in. The 9:15pm changeover matters because a quartet can't get from a dinner setup to a dance setup silently, so the DJ covers that gap.

A wedding, ceremony through late night

A hundred and eighty guests, one venue, a duo for the ceremony and a quartet for the floor. The whole night is booked as one contract.

TimeWhat happensThe bandWho cues it
2:00pmLoad-in, both setupsCeremony and reception at onceVenue
4:00pmSound check completeBefore any guest is on siteBandleader
4:30pmGuests arriveDuo, prelude, 65 dBAStanding
5:00pmProcessionalDuo. Your song, learnedPlanner or officiant
5:25pmRecessionalDuo, up and loudOfficiant
5:30pmCocktailsTrio, 68 dBAStanding
6:30pmGuests seated, entrancesBand up for the walk-inPlanner
6:45pmFirst danceQuartet. Learned, arranged to lengthPlanner
6:50pmDinner serviceTrio, 68 dBAStanding
7:45pmToastsSilent. Announcement mic livePlanner
8:15pmParent dancesQuartetPlanner
8:30pmDancing, first setQuartet, 90 dBABandleader
9:30pmBreakDJ, continuousStanding
9:45pmDancing, second setQuartet, peakBandleader
10:45pmLast songQuartetBandleader
11:00pmLate nightDJ aloneStanding

The row people move most often is 6:45pm. A first dance immediately after the entrances, before anyone has picked up a fork, keeps the whole crowd watching. Held back until after dinner it competes with coffee, and half the guests are outside.

A company holiday party

Two hundred staff, a quartet, a hotel ballroom, an early hard stop. It's shorter and looser, and it's the one where the program is smallest and the dance floor matters most.

TimeWhat happensThe bandWho cues it
4:30pmLoad-in and setupBefore the space is dressed if possibleVenue
6:00pmSound check completeSpace handed back to youBandleader
6:30pmDoors, drinksDuo, 68 dBAVenue opens
7:15pmDinner or stations openDuo, 68 dBAStanding
8:00pmRemarks and service awardsSilent. Announcement mic liveYou, two minutes out
8:30pmFull band up, first setQuartet, 88 dBAYou
9:30pmBreakDJ, continuousStanding
9:45pmSecond setQuartet, peakBandleader
10:45pmLast songQuartetBandleader
11:00pmGuests out, strikeNothing moves before thisStanding

The row to watch on this night is 8:00pm. Remarks at a holiday party start late, run long, and land on a crowd that has been drinking since doors opened. Put a hard finish on them in the document, give it to whoever is speaking in advance, and put the band back up on time regardless.

If the program wants a louder set, live band karaoke is its own line on the quote.

Send us your version.

Whatever state it's in. We'll fill in the band’s rows and send it back, whether or not you've booked us.

Also for planners: what we need from your venue and the full question list.